Rewrites, and collaborators, and getting help!

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I’ve been immersed in rewriting Act one of Manuel versus the Statue of Liberty. All the pieces were there, but they weren’t building the tension, and the story. They were wandering. So I fixed that. I clarified the big moment where Manuel challenges the Statue. All of this will make sense when you see the reading. For now, it will sound like the demented musings of a writer’s mind. That’s how we work, we writers. It’s like hearing voices in your head, and leaving the current reality for the reality you are constructing. Tuning out the real world and diving into an imaginary world. Like the “Lion. the Witch, and the Wardrobe”, except that I don’t have a cool, antique armoir to walk into for ideas.

Then back out into the practical world, where I keep asking friends for money, and fundraising support. Yeah – still time to donate to support the show (www.thedqt.org/donate/fountain-of-youth) through the internet. You can even mail in a check if you get nervous at the thought of the NSA knowing you gave money to a musical comedy about illegal immigration. Contact me for the address.

And then there is the dreaded insurance application for the show. Oy vey. I am on my third try. The first try yielded a premium 3x higher than the ball park estimate, thanks to my inexperience in filling out the forms. The second try was rejected because it was too close to the first try, and the underwriter said no to the request. The third try is a charm! I am armed with DQT’s previous insurance records, I have a better understanding of the concepts of salary, fees, and stipends (really important for the application – and silly me thought, hey, they’re getting paid, so it’s all the same…not in the wacky world of insurance). Special thanks to NYMF staff for helping me learn more about this topic.

Thank God for friends – the generosity of giving their hard earned money to support this show that takes a stand on the Dream Act, and then the friends who lend their talents and their time to help out. Special shout out to Mary McGinley who has joined us as Associate Producer! Yeah! So awesome that she is taking on some of the work in getting the word out, looking up grant information, local publicity, some fundraising.

And then there is NYMF – oh my God! I am so happy to be in this festival! Check out the great article on all the shows coming this July 2014 in the article in Playbill. The best press I’ve ever gotten! Yeah, I had to write the tag line and the marketing blurb, but NYMF gave me advice on how to do it. Look at the shows that are similar in tone to mine (like Avenue Q and The Book of Mormon) and see how they describe their shows. One short cut – take a look at the “about” pages on websites of shows you’ve seen, to see how they are described in “marketing speak”. You know the show, and you see the blurb, and you can make the translation for your show.

So that’s why I haven’t posted in a couple of weeks. Now off to prepare a feast for a very modern seder, and celebration of spring!

1 thought on “Rewrites, and collaborators, and getting help!”

  1. Hello! This post couldn’t be written any better! Reading this
    post reminds me of my good old room mate! He always kept talking about this.
    I will forward this write-up to him. Pretty sure he will have
    a good read. Thank you for sharing!

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